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Yes Brian...that's probably the main reason I'm not that big a fan of air boards...the weight...when I've taught at several Community Colleges I always expressed the importance of letting the paper do the work and not to apply pressure on the block but, with an air board, the shear weight alone applies pressure. It just seemed contradictory to what I was trying to teach. Again, and please don't anyone get me wrong, they do have a purpose and work well when used properly, as I mentioned earlier, I feel I have more control with a hand held long board.
Ray |
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Ray, do understand completely what you are saying. I have used the mudhog in the past for certain jobs, on something that I am trying to get through quick. But as far as doing the type of work, where you can put your eye right to the edge of any panel and move back and forth and side to side and see no distortion what so ever, that is where the hand sanding really pays off. And the bottom line is if it was fast and easy to accomplish you would see far more straight cars out there. Do apoligize for the highjack....
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I wonder how many technicians go from air file to primer versus air file, to long board or block to primer when that panel needs to be perfectly straight? Ray |
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And there are people who use that primer to fix wavy body work, and of course that is one of the reasons it's there, to "catch" something missed, not to PLAN on catching the flaws. That is the mistake some make, they PLAN on the primer doing the finish surfacing. I like to ask the primer to do as little as possible. Brian |
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Brian...I think we lost a little bit of the art when we went from lacquer primer to high build...lacquer primer didn't fill that well and your body work needed to be straight...when high build came out, and I'm old enough to remember, most body men hated it...you had to clean the primer gun after using it, it had to sit overnight before sanding, the early 2K primer sanded harder than lacquer primer, lacquer primer dried quick, sanded like powder and could sit in the paint pot for however long you wanted it to. How could a flat rate body man make a decent living...and then it was explained that they didn't need to finish there bodywork as nice because the primer would fill 80 grit and even 40 grit scratches. Of coarse we know what eventually happens, sinking, sand scratches paint dying off etc. but, like you mentioned, how many body men or painters see their work 1 or 2 years after it leaves the shop.
Ray |
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It was a little different then wasn't it!I still want to get it as close as possible and finish it off in 180. I will joke with the paint shop "you are going to just paint over this right, no need to waste primer". Brian |
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So true Brian...I've had customers ask me how long do I wait before I cut and polish a car...I tell them that I usually wait a couple of days for the clear to cure (depending on the amount of clear, was it baked, temperature etc.)....Then I get asked about leaving it for longer in case of sinking or or sand scratches...I tell them that they needn't worry, I finished my body work in 320 grit. I know with 180 your not going to have a problem with sinking....it's just that insurance policy I take out for myself and on a fender it may take an extra 15 minutes of blocking. That's time well spent when your doing custom or restoration work...that extra time, maybe not so much when your doing insurance work. It's all relevant, I want to give my customers the best I possibly can...If your finishing in 180 for Insurance Company's, in most cases your probably giving them more than their paying for.
Ray |
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I wonder how many technicians go from air file to primer versus air file, to long board or block to primer when that panel needs to be perfectly straight?
Ray[/QUOTE] Apparently quite a few from the level of workmanship that I have seen coming out of far too many resto shops. I personally think the biggest problem is they can't do it, period. Most of what I see out there, and I look hard is most shops that do this work treat them like it is collision work and resto work is not the same. A friend of mine had a talk once with the owner at a well known shop, and asked about the finish body and paint work as to why they don't take the time and make the paint work as good as all the rest of the detail work that they do which is at the highest levels I have seen. The answer he got was the customer does not want too spend the time and money it takes to bring it to the levels he was reffering to. But at $20 to 30K for body and paint they should look far better. Maybe I am nuts but if your going too take all the pain staking time and research involved to detail a car to the perfection these guys will take it too why not take the paint work to the same level as everything else. After all the first thing you see and notice first is the bodywork and paint, that draws you in like a magnet. |
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So true...that's one of the reasons I I prefer to do as much from the frame up myself as I can...(there are other reasons as well but this is one). So many people I know will spend between $20K and $30K on and engine, $9K on a transmission and it goes on and on....but when it comes to spending $15K to $20K on the body....well, I get "that's way to much, I've built 20 cars and never spent that much (this is the guy that hasn't built any but pays to subcontract a build), how do you sleep at night". I find that if I give a quote for an entire project, the money for the body and paint doesn't seem that bad. It's worked well on 2 large builds in the past and the one that I'm doing now (the latest one is an old customer that I've done work for in the past and he's the guy that gave me the idea).
Ray |
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Well to be honest Ray what bothers me the most is I do see and hear what other shops are getting for paint jobs and we both know that all your labor is in the blocking and buffing. These "others" are clearly not spending much time on either. So where is all this labor being spent? Just can not see it, most of what I see around the new england area at shows quite a few will fall into this catagory. When you see nothing but ripples and cellulite they just are not getting what they are paying for. The vast majority of customers will baulk at the cost of a real nice paintjob, but will think nothing of dropping $40 to $50K doing their kittchens over. A couple contractors are in and out in a couple weeks if not sooner, you are not doing a full show quality paintjob in a couple of weeks. They just don't seem to agnolige what is involved to pull it off. A very big lack of education in this line of work, clearly.
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What I like a lot about what I do now, is the fact that I can work at my own pace, my deadlines are not carved in stone, (I am still told that I push myself to hard at times and then told that that's why they take their projects to me). You already have a following, one of your customer's posted and glowed about you...that's a fantastic start, leverage it if you can...be with that customer at car shows and meet the people that are prepared to pay...it called networking. I did it for years, I've lived in many cities in Canada and the build I'm on now is from over 1,700 mile away from a customer that I did work for many years ago...again, networking, your work is of top caliber, use what you've done and the people you've done it for. Hope this helps and from a guy whose been there...I do completely understand. I'll give you 2 words that I've used in this post that I feel you should focus on leverage and networking. Ray |
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Sorry to mislead you Ray, I was just venting a little about the quality I see coming from other shops. I have been very fortunate to have had some very good customers and their word of mouth to lead to more work coming in. For the most part have not had much trouble getting the customers. I remember bringing a car I did a full frame off to Hershey Pa. back in 2010 (with a display promoting the restorations) and came back with absolutely no leads at all. Was very dissapointing back then but it has picked up quite a bit since. But it is difficult and frustrating to get a potential customer to grasp a full resto type paint job and the time, materials and potential unseen problems that do arise.
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I know your work is second to none...and yes, I feel mislead...LOL (just kidding). I just know from experience what your talking about, the shop considered to be high end, charging the big dollar for mediocre work at best...and what gets me POed more than anything, the customer is happy with it. I feel your on the right track as far as getting customers to grasp the full situation. It's an education that these customers need. What I've tried to do and it has worked, is to let my past customers have a hand in the education. If it comes from them it's true, if it comes from you, the customer may feel your just trying to get more for your work. I did a car for the customer I'm working with now many years ago and the best thing I did was let him help where he thought he could in the restoration. When he started I remember him saying "how hard can it be", he soon realized he didn't have the aptitude for what he wanted to end up with, he quickly became a believer and has been one of my best advertisers since. As far as you bringing a car you did a full frame off and getting no leads...I can understand your frustration there as well. I did a Corvette many years ago and took it to a local car show. The gaps where all even, the car was straight and the paint was one of the best jobs I feel I ever did (have you ever had that one paint job where after your done you look at it and say polishing this car isn't going to improve it at all? I think in all the years I've been doing this I've had 2 and this was one of them). It won absolutely nothing...and to top it off, what did win was one of those cars your talking about. Frustrating to say the least...I found out that one of the judges was a Dentist that didn't know paint from Shineola so I didn't feel as bad. Honestly, I'm glad to hear that your just venting, I think it frustrates everybody whose in our shoes and venting does feel good every once in a while. Ray |
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